Category: Author Posts
Samuel T. Moore of Corte Magore Book Jacket

The “proposed” layout for the Samuel T. Moore of Corte Magore soft-cover book jacket came back from my publisher today. I’ll see the hard-cover version soon. I’m sure we’ll make some changes, but this sure is exciting!
A Book Synopsis I think I Can Live With…
As I embark on writing Chapter 5 of my novel, When it Comes in Threes, it occurs to me that I haven’t written a synopsis yet. I think I can live with this one:
Synopsis:
Barley is a superstitious fourteen-year-old girl raised in a trailer park and living well below the poverty line in Southern Oklahoma. She’s completely beguiled by her father whom she also idolizes, but the only trouble is, he’s a drunk adulterer and a wife beater who is also physically abusive to her and her older sister, Bartlett. Barley’s skewed view of the male role model in her life alters her relationships with the women in her life, from her verbally abusive mother, to her stubborn, reckless sister. Her relationship with her younger brother is also challenged and wrought with jealousy. When Barley eventually leaves her dysfunctional home and enters the foster care system, she winds up encountering a funny family man who sets her straight on her distorted views on life, changing her perceptions of love, family and home.
Rising to the #NaNoWriMo Challenge
“What’s that,” you say? No, NaNoWriMo is not something out of Mork and Mindy. And, yes, I did date myself by referencing that quirky sitcom piloted wayyyyy wayyyy back in 1982, but ultimately I digress. #NaNoWriMo is a challenge to pen a 50,000 word novel throughout the entire month of November. Call it what you will, but I love a good a challenge and a challenge is precisely what I needed to finally hammer out my novel, When it Comes in Threes. This story has rested dormant on my computer for a long while because a literary manager friend implored me to change the narrative voice of my original book from an adult to a child for the YA market. If you are a writer, you know changing the whole “voice” of an entire novel is not a simple request. You also know that ultimately changing the voice means a full rewrite, despite what your friend tells you. So, rewriting I am and I’m having one heck of time doing it. Truth is, I prefer this new voice and my new main character, Barley, over the older character I first concocted, and that means I can’t wait to get back to her every night to mold her and shape her to be anything I want her to be.
#NaNoWriMo and everything about it, appeals to my competitive spirit and my ability to thrive on chaos. Why the chaos you ask? Well, silly, one chapter takes me somewhere around 4-6 hours to write, hone and edit, and all that equates to writing into the wee hours of the night when daily parenting, business obligations, phone calls and texts don’t nag and pull at my heartstrings. I’m working from my home office and spending some days an unshowered, make-up-less mess, but I think I can manage to get it all done. If you are competing in the challenge too, and are someone managing to stay somewhat afloat with everything else that comes up during any given day, drop me a line. I’d love to hear from you. Happy Noveling!
Nano-Nano.
WHEN IT COMES IN THREES: CHAPTER 4: A New and Brighter Day

I awakened a few hours later to the delightful aroma of side pork and eggs, fryin’ up cracklin’ hot on the griddle. I knew Mama was standin’ at the stove, dutifully making us breakfast where she was probably still adorned in her blood-stained pink robe. Daddy, undoubtedly would be sittin’ at the kitchen table—drinkin’ his coffee and tokin’ long and hard on his Marlboro, while starin’ out the window, surely carryin’ his thoughts out into the trailer park and farther past it to the great wide beyond. I never knowed where my Daddy went when he stared out that window at nothin’ in particular, but I imagined it was someplace other than Ardmore, Oklahoma, population 24,677.
Mama always served us up a big, pipin’ hot breakfast on Saturday mornin’s and so I reckon I was mighty hungry enough ’cause I pulled back them covers back and jumped out of bed, not realizin’ how dreadful cold the air felt in the room. November in Carter County was a frigid reminder that winter was comin’ and before too long now, Daddy would be makin’ overtime plowing them roads again for the Oklahoma State Highway Department. When my feet touched the bare floor, I shrieked and jumped back to the bed, grabbed the coverlet and draped it tightly around my body and then peeked my head out the door to look into the kitchen makin’ good and sure the coast was clear.
Mama’s forehead was bruised up somethin’ fierce already and it looked like she’d be needin’ some stitches from Doc Patton, what with that gash running down her temple and all, but the good thing was–the blood was all dried-up now and she didn’t look as frightenin’ as she did before. She tiredly looked up from where she was standin’ at the stove, forced me a quick smile with her pearly whites, and told me to go on and grab me a plate. I could hear Saturday mornin’ cartoons blarin’ from the television in the adjacent livin’ room, where I’m sure Bartlett and Graham were already holed-up and congregated together on the couch.
“Barley, you and me is going into town after you eat your breakfast,” Daddy mumbled while stampin’ out his cigarette and without turning to even look at me straight in the gosh-darned face. Daddy, I’m here…Yohoo…Look at me, I thought to myself.
“I’m gonna need your help workin’ out on the yard on the Impala today, so hurry up and eat,” he said, just now lookin’ up at me for only a second before he barked, “Wear somethin’ good and warm. It’s gonna be a cold one out there,” and turned away. Obediently, I finished breakfast and raced to get myself dressed, elated that it was gonna be just me and him runnin’ into town, and there ain’t nobody else was gonna join us.
Back in my room, I threw me on a flannel shirt over a turtleneck, poured on my jeans and tugged on my socks and boots when I heard Daddy yell at Mama, “Old Lady, fetch me my shoes!” Not missing my stride, I raced back into the kitchen ready to tackle the day out with my Daddy. In all the years since I had been born, I don’t never recall hearin’ Daddy refer to my Mama as Franny; shucks, I was even quite certain “Old Lady” was the only moniker she ever knew besides Mama.
“Jesus Christ, Earl, let me finish cleaning-up first. I ain’t your goddamned slave. Just give me a second to breathe,” Mama snapped in return while she moved to the counter where she slowly scraped the cooling bacon grease with a rubber spatula from the griddle into an empty Miracle Whip jar.
Daddy’s muscles on his neck tightened, and I thought he was gonna to get right up off that chair and put her in her place once again. Ain’t nuthin’ was gonna ruin this day for me; I was gonna personally see certain to that.
“I’ll get ‘em,” I said joyfully, as I ran into their bedroom and clasped the shoes by their strings from their bedroom floor and carried them obediently to my father where I dropped them at his feet. Daddy pulled on the black, steel-toed shoes and stood up, simultaneously hoistin’ his jeans up onto his trim hips. Like a veritable hapless giant that loomed over my frail frame, he effortlessly nudged me out of his way, then walked to the other side of the kitchen where he grabbed his flannel jacket from the pegs on the wall near the door.
“Barley, let’s go,” he growled, “Ain’t got me all day.”
Outside, the crisp November wind gnawed at my rubicund face while the tall Maple nearby rustled and shook the last of her amber leaves at me. I felt a shiver run from my head to my toes and pulled my jacket tautly around my body. Suzie, dad’s huntin’ Beagle, met us at the door and raced down in front of us along the gravel walkway to the car, stretchin’ her chain out as far as it would reach, until it jerked her back and placed her on her hind quarters where she sat dazed for a second realizin’ she was still tethered to the gosh-darned trailer. Unaffected, she got up and sprinted to Daddy, and greeted him by jumpin’ on him until he finally kneed her in the chest to get her to stop. She took the hint and sidled on up next to me and mounted me just the same. I bent over to pet her for only a moment, because I knew if I didn’t hurry and catch-up to Daddy, who was already in the car, he’d be leavin’ for town without me. I wasn’t about to let that happen, so I ran to the Impala and slid into the bench seat of the car from the passenger side where I flashed my Daddy the biggest smile in all of Carter County.
Daddy and I drove in silence the full fifteen minutes it took us to get into town and on down to Denny’s Auto Shop where we was pickin’ up a new ignition switch for the Impala. But, on the ride there, my thoughts kept detourin’ back to the early mornin’ hours and to what Daddy had done to my Mama. Mama sometimes told me I didn’t know what my Daddy was capable of, and well now I knowed, and that knowledge festered inside me as fierce as a boil from an infection ‘cause I didn’t want it to be so. But, sometimes I couldn’t help but think Mama had it comin’ to her. I wished she would just finally learn how to bite her tongue.
As we ambled down Highway 35 and out past Old Man Ardy’s pecan stand, now boarded up nice and tight for the winter, the image of Daddy standin’ over Mama with that chair in his hands played over and again in my head. One. By the time we passed Lake Murray, the chair came crashing down. Two. And by the time we reached Ardmore, Mama was splayed out on the floor in a batch of her own blood. Three. Everything bad happens when it comes in threes like that.
By the time we rolled into Denny’s, I was wipin’ the cold tears away from my face and did my best to smile and fake like I hadn’t been wankin’ like a baby when the tall, red-headed owner of the shop greeted me with his standard high-five hand in the air.
“Lollipops are inside on the counter, Barls,” Denny chirped as I met his hand with mine. I raced inside and looked around the shop for the candy. In the garage bay, a newer Chevy Nova was jacked up high enough for two men in dark blue uniforms and work boots to be under it tinkerin’ round with their wrenches. Daddy and Denny came-in to the shop and started talkin’ about engines, carburetors and ignition switches while I stood there crouched real low like with my legs tangled around each other.
“Christ Barley, use the toilet before you piss yerself and then go on back out and sit in the car. Denny and me is gonna be a while,” Daddy said, but I was already off to the races lookin’ around the shop for the bathroom. I relieved myself while sucking on my orange flavored lollipop, finished real quick ’cause the toilet seat felt like I was sittin’ on an iceberg, pulled my pants back up, washed my hands in the sink, and then made my way back out into the shop. Denny was standin’ back in the corner of the garage handin’ somethin’ to Daddy in a little plastic baggy.
Back in that Impala I was havin’ trouble keeping myself warm, so I rolled myself up nice and tight into a ball and leaned against the door of the car, alone for a spell I reckon, and tryin’ hard not to conjure up any recollections buried deep in my mind. But, something was badgerin’ me, tuggin’ and pullin’ at me real hard, but I couldn’t quite put my finger on it—somethin’ about Aunt June that Mama brought up last night before her world and that dang chair came crashin’ down. I looked across town and from where I was sittin’ I could see dark loomin’ clouds approachin’ far up overhead. It looked like Ardmore was mighty ripe for some heavy rain. And then that thing about Aunt June, that I couldn’t remember, well, it hit me so hard it felt like someone had reached down and smacked me upside the head and left me breathless. Before I knowed what hit me, a childhood memory took me back to a time and a place sometime long before my little brother, Graham, was born.
It was late and the rain was peltin’ down somethin’ ferocious outside; I could hear the clank of thunder and see flashes of lightnin’ ricochetin’ off the walls as I am being pulled from a deep slumber in a bedroom from the basement at my Aunt Debbie’s house. It’s my Daddy, come sometime ‘round Midnight to take us home. He lifts me out of the bed and lugs me about the house, feelin’ his way up the stairs into the quasi-darkness and makin’ his way to the door. I want to pull in close to his warm body, ease into him just like that and have him hold me in his arms like that forever. But, my sleepy and dulled senses suddenly become magnified. Daddy was stumblin’ and weavin’ around as he walked, so I held on tighter, almost certain he was going to drop me on my head, my tangled bed head and all. Through my groggy, sleep deprived eyes, I could see Mama’s nose was all red, and glistening with snot from a lot of cryin’ before.
Daddy suddenly becomes less agile, and my face was positioned so close to his, I could smell the Bourbon on his breath and permeating clear through his pores. Once outside, Daddy does nothing to protect me from the harsh cold rain peltin’ my face and soakin’ up into my skin from my already drenched clothes. Finally, none too soon, we reach the old rusty car left idlin’ in the driveway, and Daddy dumps me in the backseat without looking backwards to see if I’m ok. Bartlett opens the passenger door next to me and quietly slides into the backseat with me, while Mama hops into the front seat, and we drive off. It’s still rainin’ somethin’ fierce outside and I start to fall asleep to the lolling sound of the rain and the windshield wipers thrashing out a tune. It doesn’t take long before my parents start in to arguing in the front seat. Swish, swash, swish, swash, swish, swash, the windshield wipers make perfect time with my parent’s argument which is getting really heated now. I hear them, but I’m so tired, I can’t muster the energy to open my eyes to see what’s going on. Shoot. It’s best to pretend that I’m asleep anyway.
“She just had to fuckin’ be there, didn’t she, Earl?” Mama started in again. You must think I am pretty damned stupid. June turned up because she knew you was gonna be there and I saw how she was lookin’ at you and you was lookin’ at her.”
“Jesus Christ, old lady. I didn’t know she was gonna be there. You’re just fuckin’ crazy you know that? I can’t take a piss without you lookin’ down my back.”
“And why the hell not, Rex? Look at what cha did. That’s my brother’s wife…that fuckin’ whore! You don’t think I don’t know what I seen? I have a pretty good idea and so does John. You just better watch out ‘cause when HE finds out, he’s gonna kill ya and I will stand there laughin’ at your grave when he does. Fuck you, Earl!”
Swish. Swash. I find solace from the sound the windshield wipers make as I curl into a tighter ball in the backseat, swaddlin’ myself with my threadbare winter coat, a hand-me-down from one of my older cousins. Bartlett stirs next to me, but I don’t know if she’s awake too, or just pretendin’ to be asleep like me. The car is speedin’ now; I can hear it movin’ fast, water splashin’ up under the wheels as we zoom down the road at a breakneck speed. Every now and then I feel the body of the car swerve ever so slightly as my father overcompensates at the wheel from hydroplaning on the wet pavement or from his own drunkenness, which one, I ain’t none too sure. I dare to lift my head and open my eyes. The fields and trees are whizzin’ past us, and the lights from passin’ houses are nothing but a blur. I pray that my Mama will just hold her tongue or we will all crash and die. I bury my forehead against the window and repeatedly, tap it against the cold glass willin’ it all to stop; all the while the fighting becomes more languid like God hisself was playin’ an awful trick on me and did the opposite of answerin’ my prayers.
When the car finally comes to a complete stop, I look up and couldn’t help but noticin’ that we were already at home which tells me that I musta fallen asleep sometime durin’ part of the trip. But the car ain’t in the driveway. It sits parallel to the road and faces the lone, giant oak standin’ like a solider next to the trailer. Our home was parked closest to the exit of the trailer park, and we was lucky we only had a neighbor on just one side. The tree’s branches shake its limbs at us, as if in warning, and bends and sways from the wind and rain. I noticed the trailer sat vacant and dark since no one gave it no nevermind to leave a light on for when we came home. My father flips on the interior light of the car and turns his head around and faces the backseat where both my sister and I are now sittin’ on full alert, our bodies erect, waitin’ to see what happens next.
“You girls wanna go with me or yer mom? The choice is yours, but go on and make it good and quick.” Bartlett immediately opens the door roadside and races around the car to our mother who is already standin’ facin’ the driver’s side window a few steps away. “I want to go with my Mama. I don’t want to go with you!” she says loudly into Daddy’s rolled-down window and then turns on her heels and positions her back towards him a good distance away from the car. Stupid, stubborn Bartlett, I think to myself. Not now. And then Daddy turns the rearview mirror so he can see me sitting alone and awkwardly in the backseat.
“Barley, make yer pick. It’s me on yer Mama,” he growls.
Pleadin’ with my eyes, I start to beg, “No, daddy, no! I want you both. I want you both!” I say again for effect. But, instinctively I know that it’s prob’ly time to exit the car. I brace myself before I get out of the warm vehicle and begin to shiver expectedly because I knew the torrential downpour continued to pelt unforgivingly outside. Dad was leavin’ us. I knew it was really happenin’ this time. Why couldn’t Mama just learn to leave things gosh-darned alone? And, why did Stupid Bartlett have to go on and pick sides between them?
Just before I shut the door, Daddy turned around and looked at me with what seemed to be sadness in his eyes, “Then come on around here and give yer Dad a kiss and say goodbye now,” my father slurs out the words slowly, all the while he’s looking directly at me. But, I bolt out the door and race around to my mother and sister’s side.
With much more conviction I say louder as if to change his mind about leaving, “But, I want you both!” I scream into Daddy’s rolled-down window. “Don’t go daddy. Please don’t go. I’ll be good.” He motioned me forward and I knew I had to obey or he’d get right out of that car and whoop me blind. Resigned now in the fact that he was leavin’ us whether I wanted him to or not; I walked over to the driver’s side window, apprehensively peckin’ my father on the cheek and not trustin’ how he would react to all my cryin’. This is it. He’s leavin’ and I knowed it. He had never asked for me for a kiss before. Wait. What? He had never asked me for a kiss before. It felt like love, or somethin’ like it. I couldn’t be too sure.
Suddenly, Daddy guns the engine and the car bolts forward, just as Mama steps over to pull me away from the moving tires kickin’ up gravel beneath them. Moments later, Daddy slams the car into the giant Oak tree by the road. The engine falters and dies as the headlights from the car pierce through the otherwise darkness. The three of us, Mama, Bartlett and me stood motionless and in shock. An eerie cascade of light from the headlamps along with radiator steam suddenly envelopes the darkness, castin’ shadows from the tree all around. Reality sets in and I’m the first to react. “Dad is dead!” I screamed over and over. “Dad is dead!” My whole body is tremblin’ somethin’ fierce as my mother, sister and I huddle against each other; each of us sobbin’ uncontrollably, and wishin’ and willin’ it not to be so.
Time passes and no one has enough courage to walk over to the purple Chevy that was crumpled against the tree. The steam risin’ from it seemed to be the only breathin’ entity comin’ from the car. The interior of the vehicle was all aglow, and the light from the headlamps was refractin’ into the car and onto my father’s lifeless body that was lyin’ in a heap slumped clear across the steerin’ wheel. Minutes pass as the three of us continue to wail into the empty night, rain-soaked and all convinced that my Daddy was dead. Lights come on from nearby trailers and George, who was just a pup at the time, along with all the other dogs in the trailer park start to bark and howl.
Finally, after what seemed like a very long time, dad sits up; we can see the dark outline of his hand rubbin’ his head as he repositions hisself in the front seat. He turns over the ignition, and the car sputters then eventually starts. He slowly backs away from the enormous oak, navigatin’ the car in reverse for a spell and then puts it into drive and eases up gently onto the road headin’ away from us. Obviously still stunned by the impact of collidin’ with a dang tree, my father now drives off with somewhat lackluster conviction now. I watch the taillights retreat into the dark night. Dad’s not dead, I sung over and again in my head, and I am overcome by joy and relief.
My mother grabs my sister and me and races us into the house where she clamors about hurriedly openin’ and slammin’ drawers and doors. Frantically, she stuffs our clothes into giant, black plastic bags pulling each of them tightly closed by their yellow loops when each bag was filled almost to the top. She tells us to grab a few things because we might not be comin’ back none too soon. My mother fights back her tears and snaps at us to hurry up, resolved in the fact that we were leavin’. She picks up the phone and tells the other person who shared our party line that we had an emergency and that she needed to make an important phone call. It was early in the mornin’, by now, and I wondered who that person was on the other line and why they’d be makin’ a call so late. Maybe their father left ’em too? In any case, I knowed who my Mama was callin’ at this hour, and he wasn’t gonna be none too happy about it neither.
A half an hour or so later a red, rusted-out Ford truck pulls into our driveway and a strong, burly man gets out and makes his way to the porch where my mother had placed all them trash bags. He was rubbin’ his bald head, lookin’ tired and grumpy as he walked up the porch steps to meet us. Grandpa didn’t say a word as he heaves the bags, one by one, into the bed of the old pickup truck, our clothin’ and belongin’s reduced to trash thankfully encased in plastic, protected from the pouring rain. We all pile onto the long, black vinyl seat that was cracked, and weathered from both age and sun. The sharp vinyl pokes through my still damp pajamas from all the rain. I knew we was safe now, as I eased my small frame in closer and closer to my Grandfather. I could feel his warm body close to mine, and I could smell the telltale scent of tobacco along with a hint of beer.
Grandpa reaches under the seat and tosses me a pack of Kraft cheese and crackers and then ruffles my hair with his fat, calloused hands. He still had not said one gosh-danged word. I peel back the plastic wrapper on the Handi-Snack and find the little red stick. I smear the cheese across a cracker as my Grandpa pulls the truck onto the road, flips on the windshield wipers and heads in the same direction that my father had went. The indulgence, the cheese and crackers, was one that Grandpa and me always shared together when we was alone, and was his way of soothin’ me here with him tonight. Grandpa made it better and I momentarily forgot about my Daddy and where he was headin’, out alone and out into the darkness of the night, the cold and the rain. I was cognizant that my mother’s face lay propped up against the window next to me, her shoulders shudderin’ up and down as she cried and cried. Bartlett was leanin’ on her shoulder tryin’ hard to soothe my Mama. I watched as my mother’s spirit withered away and died that night. That was the last time I had ever seen Mama stand-up to my Daddy enough to leave him.
Daddy knocks on the car window, waking me up from my reverie and gets in as the vehicle shifts a little from the sheer brute force of his muscular body. He motions up ahead at the thunderstorm clouds that were now movin’ in fast above us, and flips on the wipers just as raindrops began to pitter patter across the windshield and said, “Looks like we’re in for some mighty heavy rain, Barley. Won’t be workin’ on the car today. Let’s head on home.”
The Kim Pagano Show Radio Interview
The Kim Pagano Show Radio Interview
What a great pleasure it was to be on The Kim Pagano Show where I was interviewed about my book, Samuel T. Moore of Corte Magore. If you are interested in hearing the interview, scroll down to the PM Show and listen to the whole show, or if you are pressed for time, move up to the 36 minute mark where my interview begins. Thanks Kim! It was fun being on again!
Tonia Allen Gould
Publishing a Book is Only Half the Battle. Now Try Marketing It.

A friend of mine suggested I re-write a previous post I made here on my blog about marketing and publicizing a book. He told me that very few people understand that, while a major a coup, publishing a book is winning only half the battle. He suggested I write about what I have been doing, specifically, to get the word out about my picture book app, Samuel T. Moore of Corte Magore, particularly since I’ve taken a somewhat unique and varied marketing approach to the matter. Taking into account my almost twenty years of marketing experience, owning and running a promotional marketing company, Tagsource, perhaps I do have something to contribute in helping others on marketing and brand messaging a children’s picture book, or any book for that matter. I don’t know. But believe me, even with my professional background, even I am still feeling my way. All that said, in just three months, I do feel I’ve made significant progress, and hopefully, if you are a writer, you can benefit from my experiences. So what did I do?
I hired a Publicity Agency:
I knew that I needed to get the word out exponentially to the masses, and the best way to do that was for me to hire a publicity agency, right off the bat. After thorough research, I selected Smith Publicity, a global publicity firm, and contracted with them on an initial, six-week publicity campaign. Special thanks to Lauren Covello, Publicist, at Smith Publicity for her work on publicizing, Samuel T. Moore of Corte Magore. With the help of Smith Publicity, I’m happy to announce we are off to a great start! During and after the campaign, Smith continues to deliver some interesting results. The most notable: InformationWeek asked me to be a contributing, bi-monthly writer covering the educational and mobility segments on their online digital publication. As a busy executive, I have to look at the investment of time and weigh the ROI on the writing obligation. For me, this was a no-brainer. InformationWeek is one of the world’s largest information technology publications. They have over 220,000 subscribers and receive something like 2.4 unique visitors to their website each month. My profile picture and bio will be positioned on their website with each article they publish, which will link back to my businesses and my book. Publicity turned marketing. I like it. Not to mention, this “writing gig” is a pretty major bio booster.
In addition, Smith Publicity lined-up numerous radio and print article interviews for me. iMedia interviewed me about approaching technology use for children. Recently, I wrote a bi-line article for Today’s Parent, “Coming Soon to an Electronic Device Near You.” Today’s Parent boasts a readership of over 100,000 site visitors a month, and the article included a blurb about me and the book. I have also enjoyed being on various talk radio programs. I really enjoyed this particular radio interview on Tots and Technology on IMI Tech Talk with Tom D’Auria. (Move ahead to about the twelve-minute mark to bypass all the tech news at the start of the show.) I am in the process of putting all my radio interviews up on SoundCloud, so stay tuned for links to all of those. This interview with Derrell Connor on 620 WTMJ Wisconsin Talks was another one of my favorites, if you haven’t heard it yet. In addition, I’ve been interviewed on the Kim Pagano Show, Manchester University’s radio program, and several other programs throughout the country and Canada. The goal is, with each interview, people will act and download my book.
I Collaborated with Connected and Celebritized People Who Helped Me Produce My Book:
Aristo Media, the publicity agency who represents Robby Armstrong, the Nashville star who wrote and produced my book app’s original Americana-style musical score, pressed news about Robby’s involvement with Samuel T. Moore of Corte Magore. That press release went out to many country radio news outlets, and the release has cropped up all over the web! It was pretty neat to see Samuel T. Moore of Corte Magore mentioned on a CMT site! Country Pulse also wrote up a nice story called, “Catch a Rising Star,” about Robby and mentioned his collaboration on my book. You can read about Robby on his website, here. In addition to Robby Armstrong, I selected Mr. Steve McCoy, a renowned radio broadcaster to narrate the book. Steve boasts a huge fan base and has a lot of clout in the world of broadcasting. Mr. Doug Lawrence and Mark Ceccarelli, both notorious illustrators, and former original storyboard directors for SpongeBob SquarePants, co-illustrated my book. When I produced my book, I knew that each of these unique collaborators would have vast networks of their own. I wanted to cast my personal net out as far as it reached through my own network, but I knew that having networked, connected people working on my book would do nothing but bring more recognition to my project.
Something Interesting Happened, I Became Perceived as a Bit of an Expert:
Being an author who produced an animated book straight-to-digital through my publisher (Skies America)brought me some publicity I didn’t expect. All of my work garnered me a bit of attention as a tech expert. Recently, I was asked to write a bi-line article on app development : http://www.beginningiosdev.com/app-case-studies/children-book-app. Circle back to the radio interview on Tots and Technology, being interviewed for the iMedia article on kids and technology, and then being asked to write on mobility topics for InformationWeek. It’s all connected, and was an outcome I wasn’t expecting.
I Put My Experiences to Work:
I’m a marketing entrepreneur, a conversationalist and a networker, and I put all that experience to work for me. I set up a Facebook page where I dialogue with my fans, and tweet about my book and experiences on Twitter via @toniaallengould. I converted my existing blog to an author’s page and changed the domain to www.toniaallengould.com, to brand myself. There, I continuously pressed new articles about my road to publishing and authorship.
I take pictures of kids who are engaged while reading the app:

I’m producing swag and giving it out to various contributors and people who have become book evangelists. I produced coloring t-shirts with washable markers and posting pictures of kids coloring the t-shirts. I produced magnets, and microfiber cleaning cloths for electronic devices. I deployed the services of the promotional company, at www.tagsource.com, for the swag.

I’m in the throes of being scheduled to speak at an elementary school that has recently moved to an iPad only curriculum (notable since I have an iPad only book), and really do hope to start working with children on writing and going after their dreams, and will invite the press to be there whenever I have a speaking engagement. I can’t wait to spend more time in the classroom with kids engaging them about reading!
I created several videos featuring kids who enjoy the book while showcasing the music and the narration:
Through all this marketing effort, the book made it to the 2nd Best App in the App of the Week Contest at iHeartThisApp. This is a parent/teacher/peer voting opportunity and you can help by voting anytime for the book by clicking the link above. Sam also reached the Top 100 Books in the App Store list for iPad, which in my elated and humble opinion is a major feat, given the legions of books out there! Recently I saw that we are at #100, if those stats are even accurate. But, oh what it would be like to reach #1!
Even better, Samuel T. Moore of Corte Magore just got a 5-Star Video Review at Give Me Apps where also the reviewer mentions the great functionality and the collaborative efforts that went into the book. At one point in the review, he describes the animation as “something that almost looks like a Hollywood movie!” Here’s their Blog Review as well. Right after the review, Best Preschool Books, put Sam on their list! That’s some really great news and hopefully will continue to help me reach my target demographic, children ages 4-8.
Hard Work:
As you can see, I have a lot of great things in the works after just three months since my book app went live in the App Store on iTunes. Writing a book is one thing, getting it published is another, and marketing and publicizing a book is still another. I can honestly say—it’s all hard work. I can’t tell you if I’m doing it right. I can only firmly say, at this juncture, that I’m laying down some important groundwork for the future success of my book.
Finally, I’m Still Marketing:
If you don’t have an iPad, and want to hear the book, you can download the full, narrated book with music here. If you do have an iPad, you can download my book in the App Store at iTunes. Next up? I hope to have a hard copy, conventionally printed book published by early 2014.
Plagiarism is Purloining. Or is It?
It’s good to have smart people in your corner. Mentors can help you take your writing far, and I’m quick to lean on people for advice or to get help when I am stuck. Like most writers, I get fixated on “what” I’m writing so often, I try to remember to consult with people from time-to-time about “how” I’m writing. I’ve been having some ongoing dialogue with my former high school English and Journalism teacher, Vickie Benner, who read the first three Chapters of my new novel, When it Comes in Threes. For some time, she and I have been discussing whether or not I should change the voice in my first draft of the book from an adult to a child’s narrative as suggested by someone I highly respect in the literary community. When I finally decided to give the new voice a whirl, I discovered I was having much more fun writing the piece from a child’s perspective than I ever did before. Long story short, it’s a full rewrite, but will be better suited for the Young Adult book market for which the piece is intended.
Just this week, I leaned on Vickie again. She and I had dialog about other books or movies that could compare to what I am working on now. After a bit of contemplation, I threw out books that resonated with me that could be considered along the same grain as mine. So I threw out Running with Scissors (due to the highly dysfunctional family depicted in the book) and Bastard Out of Carolina (the conflicted, young protagonist dealing with abuse.) But, I got stuck on the name of a third book and the subsequent movie that followed. I said, “Oh Vickie. What’s the name of that book with the Wal-Mart Baby in it? You know, named Americus?” She said, “Oh yes. With Natalie Portman in it?” But, neither one of us could remember the name of the movie. I then told her my book would have someone, maybe a couple or three people, come into my main character’s life and make a difference in it, like the “Welcome Wagon” lady did in Natalie Portman’s character’s life, and more great dialogue ensued. Vickie and I chatted a bit more and we hung up.
The next day, during lunch, I switched on the TV. I never switch on the TV at lunchtime, and guess what was on? Where the Heart Is. It was on. A movie I hadn’t seen in probably five years. So, I watched it, and right where I picked up in the movie Lexie Coop (Ashley Judd) was asking why Novalee Nation (Natalie Portman) named her baby Americus.
And, then–there it was.
I swallowed hard and tried to will it not be so. Lexie tells Novalee that she named her kids after snack food. Brownie, Praline, Cherry and Baby Ruth. Kids named after food! Oh. My. God. Enter Chapter 1, Paragraph Six of my new novel: “Nine months after Mama said I do, she gave birth to Bartlett, named after the pear fruit, ‘cause Mama was green with the flu when she went into labor and threw up all over her doctor, just two years and a month before I was born. Mama always did have a penchant for food, and so she named me Barley, like the waves of golden grain that rolled through the John Deere combines from the dry fields of Oklahoma. Seven years later, my baby brother, Graham, like the cracker, came. Mama didn’t have no real good explanation for his name, except that she liked to crush up graham crackers in milk in the mornings and eat ‘em like that for breakfast. Us three, Bartlett and Graham and me, we never knew what hit us being born a Sullivan. One of my elementary school teachers, Miss Espich, once told me that never knowing what hits you is an idiom relating to very bad consequences in which the people involved were totally unsuspecting. That’s us, the Sullivan Three, totally unsuspecting people named after food.” I thought I was being ingenious and novel when I wrote that paragraph. I “thought” I owned the inventive concept of people naming people after food!
Wikipedia defines plagiarism as the “wrongful appropriation” and “purloining and publication” of another author‘s “language, thoughts, ideas, or expressions,” and the representation of them as one’s own original work. The idea remains problematic with unclear definitions and unclear rules.The modern concept of plagiarism as immoral and originality as an ideal emerged in Europe only in the 18th century, particularly with the Romantic movement. Plagiarism is considered academic dishonesty and a breach of journalistic ethics. It is subject to sanctions like expulsion.
So, for all you readers and writers out there, I have two questions and then will follow up with a thought:
1. I already admitted to watching the movie over five years ago and, Where the Heart is clearly still resonates with me. I’ve carried the book and those characters along with me these past five years. That said, does Billy Letts, the bestselling author, own the concept of naming people after food merely because she published it first?
In the book, The Outsiders, a main character’s name is Soda Pop.
I wonder, based upon the definition of plagiarism, if one author could be accused of stealing the mere concept of naming character’s after food?
2. Have I plagiarized already by merely expressing an idea, which I thought I owned, by publishing Chapter 1 of my book on my blog?
In December of 2011, I published an article entitled “Finding the Value in Creativity” on Promokitchen.com. I later re-blogged the same article here on my site. In it, I write, “The Free Dictionary Online indicates that according to the philosophy of Plato, the definition of an idea “is an archetype of which a corresponding being in phenomenal reality is an imperfect replica.” The web source goes on to say that according to the philosophy of Kant, “an idea is a concept of reason that is transcendent but nonempiral.” But, even Hagel said it differently. He claimed that an idea means “absolute truth; the complete and ultimate product of reason.” In the dictionary, the definition of an idea reads “something, such as a thought or conception that potentially or actually exists in the mind as a product of mental activity.”
Transcendent thought, huh? A thought or conception that existed in the mind as a product of mental activity, huh? If this is true, that would mean at the point I wrote my paragraph, it was my thought, my mental activity, and my idea. I don’t know. Maybe I have to change it purely because it’s now unoriginal. But, I’d love to hear your thoughts on the subject. My mentor, Vickie Benner, gave me hers…
Confessions of a Forty-Three-Year-Old Social Butterfly
This is a sponsored post by Grammarly.

If you are a friend of mine on Facebook, then you’d know that I live my life fairly openly and somewhat transparently. I’m the first to laugh and poke fun at myself when something humorous has happened to me by attempting to be witty on my wall. I revel in it when I make you laugh because I like to be funny. When you laugh at something I’ve done or said; you have paid me the biggest compliment of all. By the same token, I have no problem posting some ridiculously stupid thing I did, (like the time I pumped unleaded fuel into my Diesel tank), and have no qualms plastering that on my wall where it might seep permanently into the bowels of the internet, perhaps into perpetuity, and for the world to see. I’m okay with that because I want you to know who I really am, not some person I want the world to see.
When I’ve had a bad day, I try to seek resolve and clarity in what happened and hopefully teach myself or others a thing or two so that maybe, together, we can even learn from my mistakes. Know that I am learning from yours. If you really understand who I am as a person, then you’ll distinguish that I always try to keep things as positive as possible because I never want my problems to become yours, but if I’m going through an especially tough time, you can count on the fact that I’m going to share it. Friends are healing and words are powerful. Equally, I hope I can be there to ease your pain in your time of need. The weight of the world is too big to carry it alone.
Know that I’m visiting your wall as often as I can, or I’m picking up stories from the newsfeed and working hard to discover who you really are, too because I want to hear about your life, and read about your achievements. I’m going to miss some big things in your life because I wasn’t ON when you mentioned them. If it’s something you really want me to know about, and I haven’t commented, please pick-up the phone and call me. Sadly, because of where you live, I may have to admire you from afar, and the phone or Facebook is our only real means of communication. If you’re in San Francisco when I meet with Nick from Grammarly, please join us for coffee. That’s how you build your network, and I also don’t know if he’s an axe murderer or not, so you’d be helping me out. Protection in numbers, I always say.
Facebook is a journal. When you make a post, you are chronicling your life in some way, and chances are if we are “friends,” I respect or admire you. By living your life well, or at least as best you can, you can count on me to appreciate and never judge the things you have to say. I hope you respect and admire the life I lead as well, but be sure that I know that I can’t please everyone, nor will everyone “like” me or what I have to say, and that’s okay. Kindly also note that, although few and far between, some of you may have turned me off by posting negative comments about the people in your life who came into yours with some degree of baggage. I can’t help worry that if you discard some fallible, vulnerable human for being fallible and vulnerable, and you did this publicly, you might discard me just as carelessly too. I’m not too keen on public embarrassment, and the good Lord knows, I’m fallible and vulnerable, too. All humans are. If you are one of these people who like to air your dirty laundry on Facebook, please stop it. Smack your face until it turns blue the next time you contemplate doing it again. Facebook is not a platform for this, the Jerry Springer Show is. Public humiliation is a low blow, and I could harp on this all day. At least be kind enough to judge or admonish others quietly, and to yourself, or more politely by considering doing it directly to their faces. I can admire someone who stands up face-to-face to others for being personally wronged.
I’m a boastful mother, and I know this. I brag about my children when they’ve reached a milestone or accomplished something in their lives. They are a cornerstone in mine and frankly, I am smitten and consumed by them. It’s true; I’m proud of myself for raising them well , and for—I’m going to say it, and I knock on wood, for getting them through life so far, pretty much unscathed. Truth be told, from where I sit, if they fart, they might as well be sprouting cute, furry bunnies from their adorable, round little rumpuses. They are perfect in my eyes. I made them, and I am proud of Hubs and me for that. Again, I can’t help being boastful. Please do me a favor and brag about your kids more often, so that I can feel better about myself.
I celebrate big, too. I work hard, and I love to talk about the milestones or accomplishments I’ve made in my life because since an early age, I had to advocate and pat myself on the back. I grew up knowing that I have to love myself first, so I can learn to love others more. Here again, when you pat me on the back and say, “Good job,” that’s one of the highest compliments you can pay me. If you knew my background, as some of you do, you would know that I’ve had to overcome much to be where I am today, and well, darn it, I’m proud of whom I have become. Perhaps I do push myself too hard, too often. But, if you are “friends” of mine on Facebook, please believe me when I say that I love to hear all about your accomplishments, where you’ve been, where you’re going, and what you’re doing—as much as I like to talk about my own. I see it every day on Facebook, there are people reaching out and looking for words of encouragement. I’m blessed. I have lots of great friends who support and encourage me often. Every now and then give someone with fewer “friends” that all important nudge of encouragement. Consider your life to be enriched when someone shares their blessings with you.
I believe that Facebook, at least for me, has become my conduit for self-expression. So, I just really try and be myself. As a public speaker who sometimes talks about advocating Social Media, I have heard all sorts of philosophies on what works and what doesn’t. I understand the “Do’s and Don’ts” and all about meeting expectations on how to express oneself correctly when using social platforms. But, what I’ve really learned is this: There is no perfect, in a nutshell, way to lead your live socially. Not to sound cliché, but I encourage you to just stay true to yourself without bashing other people. (I told you, I could go on and on about this.)
Below are my personal, albeit essential, Social Media Strategies on How I Like to Conduct Myself on Six Social Media Platforms:
LinkedIn: Be Professional, Build Your Network and Explore. The days of the job hunt and cold call are over if you use the network wisely.
Facebook: Be Discriminate about Whom You Let into Your Network, So You Can Be Personal. I posted about errant panties ending up the laundry tonight. It’s a funny story.
Twitter: Be Personal and Professional. Be Professional Most of the Time. Post frequent and meaningful content that appeals to a wide audience. Follow people smarter than you.
Pinterest: Pinning is loads of fun. I advocate having loads of fun.
Instagram: Have Fun. Show the World Your Inner-Photographer and Videographer. Note: I’m personally bored with cat posts.
WordPress: Life’s a Crazy Journey, So Write about It. Start a Blog.
When It Comes in Threes: Chapter 3 “Meet My Daddy”
This is Chapter 3 of my new novel, a work of Young Adult, Mature Subject, Fiction. Young readers should be particularly advised that this chapter is harsh. Chapters 1 and 2 are published here also at www.toniaalengould.com. I’m uncertain how many chapters I will publish here on this blog. Your feedback is welcomed and appreciated, and please kindly note that this is only fairly edited to this point.
Please forgive errant commas or semi-colons. My focus is on writing at this juncture.
Meet My Daddy
Last night, when the house was quiet and nothin’ was keeping the room lit but for the dime store digital alarm clock Mama got me and Bartlett for Christmas last year; my sister broke the night’s calm by shifting her weight and turning over in her bed to face me in mine. “Barley, you awake?” she whispered. Not waitin’ long enough for me to answer she continued, “It’s real late and daddy ain’t home yet. When he gets in, I don’t want you to make one single, solitary sound in here, no matter what happens. Ya hear me?” Bartlett pleaded. I shivered and pulled the covers tighter over my body and used the top of them to wipe the tears that already began to roll as big as quarters down my cheek and said, “Uh huh, I hear you,” I said, knowing she was right and that the shit was about to hit the fan. I tried to muster a voice inside me big and loud, but what came out of my mouth squeaked like one of them kangaroo mice that we occasionally caught meekly pokin’ their heads out of our paneled wood walls, disappearin’ as quickly as they came, here and gone again, just like my tears now. My whole body began to tremble and shake and my feet were so cold, it felt like I had popsicles for toes.
Bartlett rose up out of her bed lookin’ like a ghost or something, loomin’ over me like that in her cotton white nightgown; her face was nothin’ but a shadow in the darkness, and for a second, I thought I was dreaming or having a nightmare or somethin’. I pinched myself sharply and only when I felt the pain was I certain she was real and not a figment of my own imagination. Finally, she sat down on the edge of my bed. “Sit up for a second,” she said, as she pulled back the covers and tugged at my arms, effortlessly bringing me up next to her. I couldn’t make out her face in the darkness, although her white cotton nightgown seemed to illuminate the whole bedroom. She stroked my long, dark hair and whispered in my ear. I know she could feel me tremblin’ beside her, and even though sometimes I hated her, I was grateful for my sister’s warmth tonight. “Shhh,” she said. “Maybe it won’t be so bad this time. Give me a hug and try to go on back to sleep now and remember that no matter what happens, you stay in this here bed and don’t get outta it for anything, until Kingdom come if you have to, or at least until I say so” she said, as she pulled me tighter in next to her body. I hugged her limply, like something had sucked the bones out of me and I was nothing but a gob of dangling, cold skin, but it weren’t for but a second, before she got up and paced across the room to check on Graham, who was sleeping soundly in his own bed. I knew Bartlett would be by his side, stifling him, muzzling his mouth if she had to, if things got all out ugly. So I just laid there—cold and limp, a lifeless, waiting, trembling, hoping and praying mass of a person. If you’ve never had the experience, waiting for something bad to happen feels like all the oxygen has been snatched-up outta the air, your throat and lips feel awful dry, you can’t hardly swallow your own spit for the lump in your throat won’t let it go down nice and easy. Shoot it’s as if the Earth collapsed and shattered to giants chunks of rubble right next to you, pinning you in and leaving you breathless. Yes. Waiting feels like somethin’ as big and looming and enormous as that.
Another hour or so must’ve passed as we laid there in silence before the headlights from daddy’s ’59 Impala finally ricocheted off the walls and reflected from the mirror that sat on top of our dresser. The light was so bright, it was blinding, and it felt like Lord Jesus had come to take us home. I could hear the tires spitting-up gravel from the driveway and the pistons rumble and fade away into the darkness once Daddy turned off the ignition. Moments pass and he finally gets out of the car, slamming the door forcibly as he exits. Then the thud, thud, thud of his feet comin’ up the porch steps, tromping the whole way. Suddenly, I became consumed by each and every sound my father was making, each noise was a siren, a warning call that rang loud and true and into the stillness of the night. It was almost more than I could bear, waitin’ for my Daddy to find his keys and enter the trailer. I wasn’t breathin’, but I wasn’t holding my breath neither, it’s like I had my foot stomped on and was punched in the belly all at the same time. Rattle, Rattle, rattle; he fumbled with the doorknob, turned it, and then finally fell into the kitchen which was right outside our bedroom. He was strugglin’ to find the light switch; I could hear him grasping at the walls, groping the wood paneling, and scraping the dinette chairs across the floor as he clumsily made his way to the light switch across the small kitchen.
From where I was layin’, I could see the dark shadow of his body through the crack in our bedroom door. I screeched a bit when he finally found and turned on the lights in the kitchen. It scared the bejesus outta of me, since I had become particularly fixated on all the sounds he was making, but mostly due to the suspense of it all. Bartlett shushed me again, but fortunately Daddy hadn’t heard me. Bartlett was right, it was best to pretend I was asleep, but I couldn’t help but watch through that small opening in our bedroom door.
I wanted to roll over in my bed and face Bartlett, but it was too darn late, I had to lay still, or I might’ve caught Daddy’s attention, so I watched as he tried to navigate hisself around the kitchen. Daddy has knocked over a chair, and I watch as he stumbled and fell forward, trying to pick it up. When he finally brought the chair upright, he heaved his body into and lit himself up a Marlboro, and thankfully the whole trailer fell quiet again. We can hear Mama as she slowly eases herself up out of her bed through the paper thin walls leading to the bedroom next to ours. The rickety old box springs from the cast iron bed Mama and Daddy got from a flea market, is the only thing to break the silence. “No Mama,” I prayed. “Please don’t get up. Let him be. Don’t go in there,” I prayed. But I knew God wasn’t listening to Barley Sullivan tonight, because I watched as Mama drowsily entered the kitchen, wiping the sleep out of her reddened eyes. I could see that Mama had been crying, and guessed prob’ly she had cried the whole night long. The stench of the alcohol on Daddy’s breath, and what smells like a somewhat familiar perfume now permeates the air throughout the entire trailer. Mama is ten shades of mad because Daddy has been out so late. She glances around the kitchen in disbelief. “Earl, it looks like a God-damned circus ran through here,” she says as she stoops to pick up an errant chair up off the floor. Mama’s right. It was a circus in there and unbeknownst to her; she just stepped into the lion’s lair. Like I’ve said before, Mama don’t have too much common sense.
“You think ya can just saunter on in here, any old time ya God-damned want, drunker than a skunk and smellin’ like June’s cheap-ass perfume all the time? I’m getting pretty fuckin’ sick and tired of it, Earl!” she yells. “If my brother John gets a hold of you, he’s gonna kill you for runnin’ around with her like that. What? You think I don’t know? I’m not as stupid as you think I am,” my Mama laughs. The argument ensues, both of them screaming back and forth at one another, but some of what they are talkin’ about makes absolutely no sense to me—like what does Aunt June have to do with any of this, anyway? It’s all over my head stuff I don’t come to understand, and Daddy is so belligerent, I can’t make right or wrong of what he is saying at all. Their voices rise another octave, and the neighbor’s dog, George, begins to bark and that beckons other dogs in the trailer park to wake and come alive with their unrelenting barking, too. Daddy’s voice suddenly shifts to a dangerous tone, and I can feel it in my gut; it’s too late, there’s no undoing what’s Mama’s done. She has incensed my father.
Despite Bartlett’s admonishment, I sit up on the side of my bed, my legs dangling, holding on tightly to the stuffed monkey I got from that time I got put in the hospital when my appendix almost burst. Doctor Cooper gave him to me. I loved that stuffed monkey because he reminded me of a special time. For two weeks, while I was in the hospital, I got to eat all the ice cream I ever wanted, there weren’t any televisions on blaring loudly twenty-four-hours a day, and Daddy and Mama weren’t there fighting about things I just didn’t understand, like they were doing tonight. Hell, Mama and Daddy barely even came to see me when I was in the hospital back when I was only just nine-years-old, and oddly enough, I was okay with that. Those two weeks were the first time in my life I had ever experienced what silence was. I could think there in the hospital. I wasn’t all wound-up like a toy and scared all the time. In fact, it felt like I had boarded a plane, and landed in some faraway perfect place. For a kid like me, growing up in a trailer park, staying in a hospital feels something like staying at one of those fine resorts I read about in one of those magazines Jeannie Bell had down in her parlor shop in town.
Bartlett breaks me away from my reverie and whispered loudly again, “Lie back down and pretend that you’re asleep! If Daddy sees you, he’ll up and come on in here and whoop us both. Do it now!” But I don’t listen to Bartlett. My body feels possessed by someone much bigger and braver than me. Instead, I continue to rock myself gently back and forth, trying to will away the feuding coming from the other room. Daddy is cursing something fierce, and then I hear him push a chair out of his way as he crosses over to Mama where I can’t see them anymore. I knew better, and despite all of Bartlett’s warnings, I got up and tip-toed myself across the floor to the door and stepped quietly over to the other side of it to peer through the crack to see where my Mama and Daddy are standing on the other side of the kitchen. Daddy’s already got her pressed right up against the wall, his arm pinned across her throat and he is yellin’ directly into her face. He’s so mad, I can see little droplets of spittle flying into the air as he screams at her. And then, before I can digest what I am seeing, I watch in outright horror as Daddy leans over and picks up one of those fallen chairs and busts it right across my Mama’s head. She falters and falls hard to the ground, moaning in anguish; her body is now a lifeless heap strewn clear across the floor in a pink, cotton-candy-colored, terry-cloth robe. With a grumble underneath his breath, my Daddy steps over her body, like she’s nothing more than the day’s trash, and stumbles into their bedroom. I watch him hoist his fully-clothed body onto that old bed, the sheer weight of him causes those box springs to creak and whine again, and almost immediately, the sound of his snoring breaks the dead quiet silence of daybreak. The morning light is already filtering in through the windows, casting an eerie light on my poor mother, splayed out on the floor, all out of kilter like that in her pink robe.
Mama was lying perfectly still on the floor, and I was almost certain she was dead. A thin, red trickle of blood oozed from a wide, deep gash on her forehead. I was cryin’, but my sobs were coming from some subterranean part of myself I hadn’t felt before. Even if I wanted to, I could not project any noise; I had learnt early on in life to stifle my emotions and to filter my own pain. My stomach was heaving in and out while a steady train of new tears rolled down my face. It took every ounce of my courage to walk over to my Mama to see if she was breathing fire or was dead cold. Just as I crossed over the kitchen and came to her side, my mother looked up at me, and it scared me somethin’ fierce to see her bloodied face staring up at me like that. She was surprised to see me and immediately placed her right index finger next to her lips and mouthed the word “Shhhhh!” I leaned over her and gave her my hand, which she gratefully took, and I helped her up off the cold, hard linoleum tiles. Without saying a word, she led me back to my room where Bartlett stood cryin’ at the door, holding Graham in her arms; he was almost too big for her carry. He was holding on to her for dear life just like an ape’s baby. Although he was already seven-years-old, and too big too hold, his arms were draped across her neck and his face was buried deep in her bosom. I knew Bartlett hadn’t let him see anything that went on in the kitchen. “Go on back in there now, you three. Ain’t nothin’ more to see out here tonight,” Mama said as she motioned us back into our bedroom. “I’m ok,” she said, “It ain’t nothin’ more than a little bump on the head and a little blood. Y’all go back to sleep, and stay good and quiet in here, you hear me?” she whispered. Mama led me back into our room, where she tucked me into bed, checked on Graham, who rolled over immediately and went back to sleep, and then looked thankfully towards Bartlett. Then with some degree of dignity, she straightened her back and walked out of our room and out into the kitchen.
The door to our room was left cracked open again and I watched as she lit herself a cigarette, inhaling the smoke deeply into her lungs where she savored it a moment until she finally exhaled, and then she sat down at the dinette table, drew her feet up onto the chair and rested her head on her knees, her body trembling from head-to-toe as she silently watered her lap with her tears. I wanted to go to her again, but I knew if I did, she would retaliate on me just to prove she was still strong and in charge, like she had done so many times before after a beating from Daddy, so I just laid there and saw her arms heave up and down as she cried, watching as the early morning light cleansed and clarified the kitchen, hoping for a new and brighter day.
Coming Soon To a Technology Device Near You

Bi-line article written for Today’s Parent USA by Tonia Allen Gould
This fast-paced media environment we are experiencing today is continuously changing and has everyone confused. Parents too, are having a hard time catching-up on evolving trends. Like everyone else, they are trying to figure it all out, while their children seem to adapt and grasp onto technology without even a glimmer of thought. Look around you—in airport terminals, at outdoor cafes, and at the nearest Starbucks, it’s not uncommon to see a child, sometimes as young as two years old, sitting quietly and comfortably, glaring through the glossy screen of an iPad. One thing is for certain; these children are engaged and consumed by the technology they are accessing from the palm of their hands.
Today, there are an abundance of apps that can be accessed through general purpose tablets like the iPad. With only a touch of a finger, and a few moments of time, you can browse through books, games and educational apps for children from the iTunes App Store, for example, on your device. With so many options in front of you, it’s important to understand the landscape of where book media is today and where it is going, especially in the education and entertainment arenas. Picture books, for instance, on technology devices have turned into interactive, engaging “experiences,” complete with digital animation, narration and music. While we all hope that conventional books in the library will never really be replaced, it’s true that in just a few short years, book apps and eBooks have already changed the publishing world and redefined how books come to market. In fact, some book apps are starting to look something more like a Disney/Pixar movie than an actual picture book, and the book market will only get better from here.
Also, it’s important to understand that there are significant costs that go into the production of a single book app and this is why the good ones can’t be purchased for the price of a song. Still at $1.99-$7.99 or higher, the cost of a book app may be a much better value when compared to printed and bound books stocked at brick and mortar retailers like Barnes and Noble, where you can expect to pay at least twice the price of a book app or eBook. It’s these very same electronic books that can be found at other retailers, like Amazon, that are partially responsible for those big retailer’s declining sales.
It’s true that just a few short years ago; kids were snuggling up next to their parents to have a book read to them when their parents could take the time to sit down with them. Today’s kids are getting their books on demand and being read to by professional narrators, when mom’s lap isn’t available, and they are doing this right from the comfort of their own electronic devices. For parents, the reality is you don’t need to draw a line in the sand, and purchase your child’s books one way or the other. What’s most important is that your child is reading. Books of any kind are a good way for kids to start thinking and speaking early, but I for one, am looking forward to the positive influence technology can bring to those young minds.
Tonia Allen Gould is the producer and author of Samuel T. Moore of Corte Magore, an electronically published book app, available in the App Store on iTunes, and is also available by audio on CD Baby and through other media outlets. Published by Skies America, Gould creatively directed and hand-picked the celebrity talent to make this eBook/app an engaging experience for children ages four to eight-years-old. The app was illustrated by Marc Ceccarelli, a SpongeBob SquarePants storyboard director. It was narrated by two-time Marconi Award nominee, and radio personality, Mr. Steve McCoy. The original musical score was produced by country artist, Robby Armstrong.
When it Comes in Threes: Chapter 2 “You Ain’t Nothin’ Unless You’re Something”
Chapter 2 “You Ain’t Nothin’ Unless You’re Something”
Mama always said, “You ain’t nothin’ unless you think somethin’ of your own self.” When I was younger, I once asked her how some people got to be rich while others went without. “Well,” Mama said, “A long time ago, well over a hundred years ago or so; a great tornado came to Oklahoma and picked up all them homes spread across our great state and plopped them down haphazardly where God best saw the people in them fitting in. It was sort of like the story of Dorothy in the Wizard of Oz. All them houses were just plunked down in the middle of nowhere in some cases,” she said. “Some people started out rich and went poor because they was placed near the railroad tracks, or the other way around when a poor man suddenly found hisself living on a giant plot of land out by Lake Murray,” she said. “You don’t get to choose anymore, Barley, where you’s gonna live or how much money you’s gonna have one day. You was born without a pot to piss in because God did all the choosin’ for you by placin’ you here with me, right where ya belong. He did all that long before you was born by picking your parents, and our parents before us, and so on. There ain’t even a God-damned thing anyone can do about it. You just gotta be thankful ya just got a roof over your head and plumbin’ to wash the dirt off your hands when you come in from work, and clothes on your back to protect you from the sun and to ward off the cold. No one needs anything much more than that, Barley,” she said.
“You forgot love,” I whispered under my breath, so low and barely audible that I was certain she couldn’t hear it. But, Mama’s hearing was sharp, just like her tongue. “Love ain’t gonna get you through but one single, solitary winter. Don’t you ever forget that,” she said, casting her eyes away from me and dropping the conversation entirely by dismissing it with a wave of her calloused hands. “But, you love Daddy, right?” I said. Still, Mama would have no more of it and I knew it was best to leave the conversation alone.
I had to hand it to Mama’s imagination about that tornado, and for making excuses for her and Daddy like that about where we lived, in our tiny trailer spread out along with all them other trailers and government-owned houses that dotted the landscape in the very armpit of Oklahoma society. I guess some of what she said, did make sense, even though it weren’t all entirely true.
Maybe she’s right. Maybe you are what you are born into, and there ain’t nothing you can ever do to fight off Old Man Destiny. I wished it weren’t my true, but people would look at us and our dirty hands and feet from runnin’ around in the yard and from being barefoot all day, and I just knowed they was making assumptions about who we was and where we came from, and pro’bly rightly so. If a rich man walked into a store and he was covered in sweat and had dirt under his nails, there was no other explanation for that except that maybe he was out playing in a soccer game or workin’ in his backyard, planting a flower garden or something, and all it took for you to know he had money was by takin’ one good look at the clothes on his back. Take a poor man, under those same circumstances, and place him in that same store and you’d either take pity on him or be embarrassed for him for showing up in public, all soiled-up like that, and you’d thank your lucky stars you didn’t wind-up standing in the Welfare line and eating government cheese in your macaroni, right along with him.
The only thing is, no one else but me in my family seemed to notice all them rich people stopping and staring at us all the time and casting their judgments on us like they was God Hisself-reincarnated in a living, breathing human soul standing next to us in the cashier line at the Affiliated Food Stores. Believe it or not, poor people have a great deal of pride, and that pride just kept them browsin’ the aisles until it was time to hand their food stamps to the cashier, and pride kept them walking right out the front door, stompin’ the dirt off their boots the whole way. But, from where I sat, pride and ignorance went hand-in-hand. In our two-bedroom trailer, down at the Cloverleaf Trailer Park, deposited neatly under the bypass, Pride’s name was Earl and Ignorance’s name was Franny, and I secretly hoped that one day I wouldn’t turn out just like them.
It’s not that my Mama was stupid really, even though she didn’t have nothing more than a seventh grade education. She was smart enough, she just didn’t have a lick of common sense. She told me she had to drop out of junior high school to help take care of her baby sister, Mabel, while her Mama and Daddy went to work providing for her nine other brothers and sisters. Mama wasn’t much of a student anyway; she could barely read and write and it wasn’t until she was twenty years old that Doc Patton at the medical clinic, told her he thought she had Dyslexia, given her struggle fillin’ out paperwork all the time. When Mama first said she had a disease, I imagined twenty different ways she was gonna die right in front of me, and straightaway big old tears welled-up in my eyes. When Mama saw the terrified look on my face she immediately dismissed my fears, “Nah, Barley, it ain’t nothing like that! What I have is the sort of disease that makes your brain tell your eyes to see things backwards, that’s all. That’s why I’m none to good at readin’ and writin’.” And there it was. That “Ah-ha! Moment” I had been waiting for my whole life, that one explanation for why my mother was the way she was. One singular sentence described my mother’s condition perfectly and I knew Doc Patton had given her the proper diagnosis. I had always questioned the way my Mama saw things, in all fourteen years of my young life. But that day, when Mama came home plagued with the Dyslexia, it all suddenly began to make sense. Mama was just backwards.
When it Comes in Threes: Chapter 1 “Babies Making Babies”
Chapter 1: Babies Making Babies
Babies making babies. Pfft…I ain’t never heard a good story about two teenagers setting out, ready to conquer the world, only come to find out they got themselves already knocked-up after just one night’s fit of passion, leaving all their fancy ideas of what life was gonna be like, rolled-out like toilet paper under their heels behind them. Mama said that’s precisely what happened to her and Daddy, and they was nothing more than just babies making babies when they gave birth to that stubborn, curly-headed, terror-of-a-sister-of mine, Bartlett.
The way Mama tells it, she met daddy out at the Southern Speedway, the race car track down off Highway 77 in Ardmore, Oklahoma, one glorious summer’s night. Mama says that whole night long, Daddy kept trying to kiss her, telling her she sure was the prettiest thing he ever did saw, but Mama told him she was a lady and she was raised better than that. She’d smack his hands each time Daddy got to wandering, and pushed him away each time he leaned in for a kiss. Daddy must have known she wasn’t gonna let any man touch her before she got married, so he up and asked her, straight-away, to marry him on a teenaged boy’s foolish impulse. Shoot, they didn’t even know each other but more than a few hours when my flattered, exasperated mother laughed and looked up at him with her shiny, steel blue eyes and finally gave-in to him, “Yes, I’ll marry you, Earl, but not before you go out to my house and ask my Mama and Daddy for permission.”
Mama turned to me, more staring through me than anything, because she was lost in some faraway place. As she slowly recanted that evening so long ago. I watched as something within stirred and fluttered and reared its head deep inside her as she began talking about how they sat on the cool bleachers and watched those loud, colorful race cars zoom by them at breakneck speeds while Daddy struggled to fondle and flirt and hear her timid voice above the crowd and the noise. I could almost smell the exhaust and the asphalt and rubber, and feel the sweltering hot, humid Oklahoma air, she told the story so well. She said that night she believed she could love my daddy forever. “Barley, your father was the handsomest man in all of Carter County,” she began. “It’s true, don’t laugh,” she said, eyeing me thoughtfully as I giggled nervously. “Everyone thought he looked just like a young Elvis Presley back then, all dark-haired, tall and tan and thin and so ding dang confident, your Daddy was. Why, all them girls out at that race track just wished they was me that night,” Mama said, as her smile slowly began to fade. Suddenly, she began rummaging around in her own thoughts, picking them up and sorting through them one-by-one, ruminating about her shy, teenaged self, a different person in a different body at a different time. For a moment, I thought I had lost her completely to her memories. “Oh Mama, hurry up already. Tell me more,” I pleaded, bringing her back to the here and now.
That next Monday morning, Mama told me Grandpa had his first serious talk with Daddy, the groom-to-be, and gave him what mama called, The Three Nevers Talk. “Never hit her, ever,” my Grandpa said slowly, looking him straight in the eye, taking a long pause for effect, while spitting his tobacco in the Folgers Coffee can he used as a spittoon sitting next to him. “I ain’t never hit her and you ain’t gonna neither,” he said plaintively. Then he grimaced, contemplating his next words as he slowly sucked the tobacco from his teeth. Finally he said, “Never let her go hungry, and never stray from her and find yourself another woman, because she’s the best you’re ever gonna find. Ya hear me? If you can promise me these three things, Anita and me, well…we will give y’all our blessings, and you can marry our Franny,” Grandpa said in a foreboding voice.
Later that morning, my Mama, just fifteen-years-old at the time, powdered her pale skin and got all dressed-up in her Sunday finery, kissed her Mama on the nose, and left the only home she ever knew, all giddy and excited, ambling down a dirt road, heading towards her destiny with a man she barely knew in a dilapidated Chevy truck. Feeling hopeful and reckless, summoning her heart’s out-and-out abandon, she later stood solemnly, thinking about what it would be like being married to the elusive stranger standing next to her. In front of the Justice of the Peace in the Carter County Courthouse, Fanny Faye Doyle, married my Daddy while my mother’s brother, Uncle John, and his wife, June, looked on. Mama never liked old June much, and I could see just mentioning her name now gave her the worst case of the willies and that in turn caused the goose pimples to surface on my arm. I brushed them away and finished listening to Mama tell me more about the day she pledged her life away to my daddy.
Nine months after Mama said I do, she gave birth to Bartlett, named after the pear fruit, ‘cause Mama was green with the flu when she went into labor and threw up all over her doctor, just two years and a month before I was born. Mama always did have a penchant for food, and so she named me Barley, like the waves of golden grain that rolled through the John Deere combines from the dry fields of Oklahoma. Seven years later, my baby brother, Graham, like the cracker, came. Mama didn’t have no real good explanation for his name, except that she liked to crush up graham crackers in milk in the mornings and eat ’em like that for breakfast. Us three, Bartlett and Graham and me, we never knew what hit us being born a Sullivan. One of my elementary school teachers, Miss Espich, once told me that never knowing what hits you is an idiom relating to very bad consequences in which the people involved were totally unsuspecting. That’s us, the Sullivan Three, totally unsuspecting people named after food.
Baby Steps on Marketing a Children’s Book
Hi everyone! There’s great news developing on my book and I wanted to share much of it with you. Samuel T. Moore of Corte Magore just got a 5-Star Video Review at Give Me Apps where also the reviewer mentions the great functionality and the collaborative efforts that went into the book. At one point in the review, he describes the animation as “something that almost looks like a Hollywood movie!” Here’s their Blog Review as well. Right after the review, Best Preschool Books, put Sam on their list! That’s some really great news and hopefully will continue to help me reach my target demographic, children ages 4-8.
In week two of the book’s release, the book made it to the 2nd Best App in the App of the Week Contest at iHeartThisApp. This is a parent/teacher/peer voting opportunity and you can help by voting anytime for the book by clicking the link above. Sam also reached the Top 100 Books in the App Store list for iPad, which in my elated and humble opinion is a major feat, given the legions of books out there! Today we are #100! Oh what it would be like to reach #1!
Aristo Media, the publicity agency who represents Robby Armstrong, the Nashville star who wrote and produced the book’s original Americana-style musical score, pressed news about Robby’s involvement with Samuel T. Moore of Corte Magore. That press release went out to all country radio news outlets, and the release has cropped up all over the web. It was pretty neat to see Samuel T. Moore of Corte Magore mentioned on a CMT site! Country Pulse also wrote up a nice story called, “Catch a Rising Star,” about Robby and mentioned his collaboration on my book.
Further, I was interviewed in this great article at iMedia about technology use for children, and have also enjoyed being on various talk radio programs throughout the country. I really enjoyed this particular radio interview on Tots and Technology on IMI Tech Talk with Tom D’Auria. (Move ahead to about the twelve-minute mark to bypass all the tech news at the start of the show.) I am in the process of putting all my radio interviews up on SoundCloud, so stay tuned for links to all of those. This interview with Derrell Connor on 620 WTMJ Wisconsin Talks was another one of my favorites, if you haven’t heard it yet. I’ve guest-appeared on stations in Indiana, Wisconsin, California, Kansas, New York and even Canada, working to get the word out about the book.
I’m just now getting exposure in the blogging community, and will be introducing myself to “Mommy Bloggers” next. If you know any mommy bloggers who would be interested in writing a review about the book, I’d love to hear from you. One blogger, GONGLESHANKS, who is part of a huge artist community and company called Grimnian Promotions, recently made me their featured artist!
This week, I will be writing a bi-line article for Today’s Parent, on any parenting topic of my choosing. Today’s Parent boasts a readership of over 100,000 site visitors a month, and the article will include a blurb about me and the book.
Finally, this month, I will head to Philadelphia for a live presentation at the Central Library where I’ll also be interviewed live by Al Butler at WURD. I’m honored to have a library event in the fourth biggest media market in the country, with a reputable urban broadcaster interviewing me on site. I’m also in the throes of getting scheduled to speak at an elementary school that has recently moved to an iPad only curriculum, and really do hope to start working with children on writing and going after their dreams!
As you can see, we have lots of great things in the works. Writing a book is one thing. Getting it published is another. Marketing a book is still another. I can honestly say– it’s all hard work! Thanks for continuing to help me get the word out about Sam. It means a lot to me, and we all know it takes a community to raise a children’s book author and I still have a lot of work ahead of me! In all seriousness though, we’re not doing too shabbily for just two months of marketing and publicity!
P.S. If you don’t have an iPad, and want to hear the book, you can download the full narrated book with music here. Thanks again for all of your love, kindness and support!
P.S.S. Thank you for indulging me in some of these bragging rights. It’s these big and small accomplishments that get the media’s attention, which will help me market the book, but more importantly, it’s the word-of-mouth contributions that you are all making that is helping me immensely. Thank you, thank you from the bottom of my heart!
Tonia Allen Gould
Conventional Print Publishing or Electronic Device Book App?
Why App Developers Need to Be Looking Long and Hard at the Children’s Book Market
Wikipedia reports according “to an IDC study from March 2011, sales for all e-book readers worldwide rose to 12.8 million in 2010; 48% of them were Kindle models, followed by Barnes & Noble Nook devices, Pandigital, Hanvon and Sony Readers (about 800,000 units for 2010).” In 2012, the study shows that e-book sales slumped with a “26% decline worldwide from a maximum of 23.2 million in 2011. The reason given for this alarmingly precipitous decline is the rise of more general purpose tablets that provide e-books along with other apps in a similar form factor.”
Enter 2013: General purpose tablets, like the iPad, continue to offer more engaging and interactive experiences for the reader. As parents continue to streamline their own book purchases onto these types of devices—it’s no surprise that their children will expect to access their books similarly. App developers need to stop and take notice that there is an existing and increasingly popular book app market for parents looking to educate and entertain their children in much more visually engaging ways.
Before a developer can begin to tap into this market, they should understand four important things first:
• Understand that the market already exists: Legions of unpublished children’s book authors are looking to get their literary works published conventionally or digitally. It’s a crowded marketplace, coupled with significant barriers breaking into conventional print. If developers can figure out how to publish, distribute and market books so these unique “voices” can be heard, they’ll be onto something big. You can find these unpublished authors on Twitter in droves searching through hashtags like #picturebooks #kidlit #childrensbooks #author, etc.
• Understand the need for creative people to help successfully deploy a book app: Developers will need quality authors, illustrators, copyrighters, animators, stock music houses and voiceovers, not to mention a creative director with graphic designers at her fingertips who can pull all of those contributions together seamlessly. If you bypass any one of these things, your app may come up short. Remember, parents expect a professionally published book, just as they expect the same when they pick up a book for their children at Barnes & Noble. The only difference is that they expect an “experience” with a book app.
• Understand that the market is evolving and changing: Be prepared to keep on your toes. Already some book apps have cropped up that look something more like a Disney/Pixar movie production. Constantly improve and nurture your network of contributors and stay nimble with the changing publishing market. Make sure you understand that a few years ago, kids were snuggling up next to their parents to have a book read to them when their parents were ready to take the time to sit down with them. Today’s kids are getting their books on demand and being read to by professional narrators, when mom’s lap isn’t available, and they are reading right from the comfort of their own electronic devices.
• Understand the conventionally printed book isn’t going anywhere anytime soon. Real books belong on shelves in libraries and in homes, and kids will always need them and should have access to them. It will be a sad day if electronics replace them altogether. Book apps are a vertical market to the conventionally printed book. Lines don’t need to be drawn in the sand about which is better.
Tonia Allen Gould is the producer and author of Samuel T. Moore of Corte Magore, published by Skies America (July, 2013) an electronically published book app, available in the App Store on iTunes, and is also available by audio on CD Baby, Amazon, iTunes, and other outlets. Gould creatively directed and hand-picked the celebrity talent to make this eBook/app an engaging experience for children ages four to eight-years-old, leading up to the animation where Skies America Publishing Company picked up the project and launched it on iTunes. The app was art directed by “Mr. Lawrence,” the voice of Plankton and an original storyboard director of SpongeBob SquarePants, and illustrated by Marc Ceccareli, another SpongeBob storyboard director. It was narrated by two-time Marconi Award nominee, and a top radio personality and broadcaster in the country, Mr. Steve McCoy. The original musical score was produced by country artist, Robby Armstrong. Gould is available for consulting projects and can be reached via http://www.toniaallengould.com, or at toniaagould@icloud.com.
One of my greatest joys of doing genealogy is the small treasures found (ReBlog)
What a lovely found treasure of a photo of my grandmother (left) and her sisters. I miss that dear, sweet lady so much. Thanks to my sister Coni Dubois for her genealogy research and happening upon these gems along the way.
Giving Proper Credit Where Credit is Due with Some SpongeBob Crew and Who Knows Who?

I failed to give proper credit where credit is due! “Mr. Lawrence” (incidentally, also the voice of Plankton), and Storyboard Director for SpongeBob SquarePants, creatively directed many of the Samuel T. Moore of Corte Magore Illustrations in cooperation with Marc Ceccarelli, also a SpongeBob SquarePants StoryBoard Director, who mastered most of the final illustrations. Michelle Fandrey, from Skies America Publishing, also contributed to the illustrations. I had failed to mention Ceccarelli leading up to this point, but without him, this story couldn’t have come to life. Dmitriy Toloknov performed all the illustrations seamlessly working with Mr. Lawrence’s, Marc Ceccarelli’s, and Fandrey’s illustrations.
And, while I’m at it; let’s not forget the book was narrated by two-time Marconi Award nominee, and a top radio personality, broadcaster, and voice-over in the country, Mr. Steve McCoy, who lent his charming voice to the project. In addition to narrating Samuel T. Moore of Corte Magore, McCoy has voiced the narration for a children’s book app for Dream Works “Rise of the Guardians,” and legions of other high-profile works.
Country artist Robby Armstrong wrote and produced the Americana-style musical score for the children’s eBook/app, Samuel T. Moore of Corte Magore (Skies America Publishing, 2013), which is now available on iTunes. One of my favorite people of all time, Emily Kilimnik (violinist/fiddler), put the finishing touches on the story with her exceptional fiddle playing for the app–because no self-respecting fiddler crab on Corte Magore can be seen and heard without his fiddle and his bow! Kilimnik was working in conjunction with Armstrong on the project, and Armstrong can also can be heard on the guitar. The release of the professional narrated and musical eBook/App coincides with Armstrong’s single release, “Rodeo,” which is currently at Country radio. Written by Armstrong and Darrell Brown, the toe-tapping track is Robby’s first single from his forthcoming 2013 full-length album, which is additionally produced by Brown (LeAnn Rimes, Ty Herndon, Radney Foster). Robby has three songs, including “Rodeo” in the major motion picture, Gambit (featuring Cameron Diaz, Colin Firth), wherein he and his band make a cameo appearance. The songs are also on the official soundtrack. Additionally, “Rodeo” is featured in The Sims video game and has been heard at Angels’ stadium as the Los Angeles Angels’ rally song. The dance remix for the song is circulating through line dance clubs across the country. Robby’s “Rodeo” video was also selected for pre-race entertainment for the upcoming Indy 500. For more information, visit http://www.RobbyArmstrong.net and on Facebook and Twitter.
Many, many special thanks to Jacqueline Merrill, Creative Director at Skies America publishing, for all of her important contributions to the story once it entered the animation stage.
A children’s book written by Tonia Allen Gould (moi), the story is of a tenacious land and sea fiddler crab that will stop at nothing to build and save his home from his rival. Complete with a fiddle and his bow, Samuel T. Moore marches forward with his mission, even though he is met with adversary while onlookers and naysayers mock him in disbelief. The book teaches children about courage and tenacity, to stand up and fight for what they believe in.
Yes, little old me produced, authored and hand-picked the celebrity talent to make this eBook/app an engaging experience for children ages four to eight years old, and only for the mere price of $4.99! Please buy Samuel T. Moore here!
Manchester University Radio Announcer Introduces Tonia Allen Gould as the “Future Mrs. Dr. Seuss”?

Here’s the taped feed from my interview with Michael Paynter, 89.5 “The Buzz”.
And, would the real Mrs. Dr. Seuss, please stand up.

Got $4.99 and a Penchant for Rhyme?
Unused ITunes gift card at the bottom of your drawer?
Why not buy my book with an original #musical score?
Your kids will love this amiable tale never told before
About a determined crab who arrived on Corte Magore
Steve McCoy Writes a Tribute to #SamuelTMoore
Reblogged from Tumblr.
by: steve-mccoy
A “Crabby” Chance Meeting
I’ve been so lucky in my business life over the years. I was able to find an occupation where (despite getting up at 3am every morning )was filled with more fun than should be allowed by law. I was blessed enough to be able to turn doing a morning radio show in one city, into a career that lasted over 30 plus years. I stopped counting when one of my own kids said to me one day “Ya know Dad, you’re not Ryan Seacrest” a reference made about the young man, filled with talent, whom worked with us at Star 94 as a junior in high school here in Atlanta.
Along the route of radio,I was always doing voice work, and naturally as most radio people do when they tire of getting up early, I built a studio in my home and started doing voice work full time. Over the decades of daily voices I’ve had a blast creating magic with just my voice, designing characters for commercials, video games, documentaries or church bulletins. I’ve played the part of a stapler at Office Depot, a Furby, Apostles Peter and Paul, I’ve played Lincoln for a documentary on PBS, and yesterday I got to be a junk food bag with an Italian accent. How much fun is that?
But back in March of this year, on a day that I was supposed to be gone for my birthday celebration I auditioned for a children’s book about a fiddler crab named Sam, who fought against the odds to prevail in building a home on a magical island.
Now, I love doing children’s stories, especially when I can get to play characters as I narrate the story. In the past, I’ve narrated audio books for Alice in Wonderland, a book about a little boy who lived among Giants, and a few others. So instead of being 25 minutes early to a dinner celebration with friends, I decided for the first time in my life that I was going to be 30 minutes late for my dinner celebration with friends and audition for Samuel T. Moore from Corte Magore. Written by Tonia Allen Gould.
Little did I know while auditioning that this was a dream of a young Mom from Calif. who was reaching beyond her own stars to write and publish her first children’s story.
When I was contacted by the agency that Tonia had chosen me to be the voice of her book, and that she was requesting to be on Skype with me as I read the project I was thrilled to get the job.
Doing the voice work while being on Skype with a director, or producer or someone in charge is not unusual at all, and being married and having 3 children of my own, I certainly understood the demands of a Mother who was being protective of her new baby Samuel. What I didn’t realize at the time is that it wasn’t by chance that I was late for my birthday celebration to do the audition, I think it was one of those things that was kinda destine to happen…as if it we’re created by JJ Abrams for his very famous TV show LOST.
As we Skype’d, and made small talk, I learned that she had “googled” and had thoroughly researched me before making her careful choice for her narrator. And I quickly realized that this Mom who probably has run 1001 carpools, had 15 themed birthday parties for her two children, made countless sacrifices for her family members, had this energy that reached through my Mac pro screen and grabbed me. As we recorded the story written in prose that had to be just right, Tonia would kindly stopped me when I added a word (something I tend to do in sessions when I’m a little nervous)… and I was nervous because I wanted to make sure that I was doing the best job for this perhaps once in a lifetime project for Tonia.
See, Tonia had an excitement about this story that revitalized me once our Skype session ended and made me realize that no matter what your age ( not that Tonia is old-I’m actually more than 10 years her senior) that you should never settle into your daily routine in life as a Mother or Father. Yes, raising young human beings into good and life achieving adults is a career achievement in itself, and something (especially in this day and age) that we can all be proud of as a job well done. But also, that if you have a dream to do something else, and stretch those hidden talents beyond living just for parental duties that you should take the time to do something you never might do otherwise. My wife Linda also realized this a few years back and went back to college becoming a freshman at 50.
I love more than anything when I can learn something from someone younger than myself. In a strange way it makes me feel (sadly), that I may have missed something in my 30’s or 40’s…something that I should have experienced and perhaps missed out on).
As we finished the voice work on Samuel T. Moore on Corte Magore and I learned about Tonia’s family and I regaled her with stories of my 3 offspring and probably bragged too much about my three grandkids. But as the disconnect sound of the Skype session went “Bleep-Bloop” I felt like I had made a new friend, someone who I would keep in touch with and I realized that I wanted to do whatever I could to help Tonia to make this book a success.
I was high off her energy and revitalized. In the weeks from March to July 1st, the release date for Sammy the fiddler crab on iTunes I started creating some video’s on my mac to market the story for Tonia. I found some software that helped me to create a video of a wave from the ocean that would reveal the title of the book and its release date. I would create four or five videos and send them to Tonia. We’d both place them up on social media sites and she seemed to love them. We would correspond with each other on marketing ideas for Sam, even looking at real islands for sale to become the island of Corte Magore so that it no longer had to be a fictional island but could become a real place.
I guess if there’s a moral to this story, it may seem trite, but no matter what your age, you never know who you might meet or come across on a chance meeting. There is probably something to learn from each person you meet on your path of life, and even at 59 there’s something to pick up or borrow or steal from that person and use in your own life.
And just like Samuel T. Moore of Corte Magore teaches his young readers ( or listeners to Lucy, Jack and Connor’s Papa) to never give up despite the odds being against you. That your never too old to enjoy new adventures and reach beyond that dream and make it a reality. Just make sure your back in that carpool line in time to pick up the kids from School.
If you’d like to download “Samuel T. Moore of Corte Magore” a musical and interactive book, click on the link below:
https://itunes.apple.com/us/app/samuel-t.-moore-corte-magore/id665189802?mt=8&ign-mpt=uo%3D4
I was honored to be included in this project along the talents of “Mr.Lawrence” one of the original illustrators of SpongeBob Squarepants and the voice of Plankton. Also,musical score by Robbie Armstrong,and of course author Tonia Allen Gould. Three people I hope to meet someday.
Kids With the App and The Crab Dance, Too!
If you’ve downloaded the app and your kids are so inspired, send me a video clip of them doing their crab dance with the pincer hands for a future Sam’s Crab Dance compilation.
Sam Painting
#SamuelTMoore Wins #2 App in the Top 5 Apps of the Week Contest!
Check it out! Samuel T. Moore of Corte Magore released just less than a week ago in the App Store on iTunes, already won the #2 App in the Top 5 Apps of the Week contest at iHeartThisApp.com. What an honor, but what’s most important is that hopefully now parents and teachers will be able to find the eBook/app better.
It’s one thing to write a book. It’s another to get your book published. And, still yet another to get your published book found and read! Marketing your book is just as important as everything else and it’s no easy feat. I have almost twenty years experience in marketing, and even I am learning the ropes on what’s involved with marketing a book. All this seems like a good start. iHeartThisApp is averaging 46,000+ monthly page views from 11,000+ unique visitors (majority USA visitors). Readers stay on iHeartThisApp on an average of more than 5 minutes.
This animated and colorful eBook (available for $4.99) explores several important themes for young readers, including:
• The concept of “building a home”
• Hard work and self-reliance
• Daring to dream of a better life
• Overcoming adversity
• Dealing with bullies and naysayers
Check out all five top apps of the week!
Thanks, from the bottom of my heart, for all your iHeart clicks. Voting each week is easy. All you have to do is go here: http://iheartthisapp.com/apps/samuel-t-moore-corte-magore/ and click on the heart, and that’s it. No registration is required. If you are reading this now, I sure would be grateful for your vote. Who knows, maybe we can make it to #1 in the coming weeks with your help!
Sincerely,
Tonia Allen Gould & Samuel T. Moore
Don’t Expect Young Readers to Emote
Last night, I was at a 4th of July party, relaxing by the pool and enjoying small talk with another mom. This new acquaintance was intrigued by my just released book, Samuel T. Moore of Corte Magore, available in the App Store for iPad. The nice lady, a mother of eight-year-old triplets (God bless her!) had never seen animated children’s books on the iPad. One of her children, an avid reader, wandered by and she introduced me as a writer/author of a book, and asked me to show it to him. I, of course, was happy to oblige.
The boy listened and read along with the story, but he didn’t smile or laugh or emote in any way. Page after page, I became worried that the boy stood there only to be polite. Occasionally, he’d glance up at me to see why I was staring at him (awkward!) and then he’d turn back to the narrated story and read along. Really, I was dying inside for his reaction, absolutely any reaction from him would ease my growing level of concern.
When the book finally ended, he looked up at me and simply said, “Can I see more books you wrote?” And then he turned to his mom and asked if she could buy him my book.
Young readers who are engaged, don’t necessarily wear their emotions on their sleeves. As a parent myself, this is good to know in the types of selections I help my own young reader make. But also, this boy reminded me why I strove to become a published author in the first place. I didn’t write for the reaction to my stories, rather, I wrote so that my words would be enjoyed while learning lessons along the way. This young reader enjoyed my book in his own way, for that–I am now sure. Mission accomplished!
Have a child aged four to eight? Check out Samuel T. Moore of Corte Magore in the App Store on iTunes. Click here.</a
Samuel T. Moore of Corte Magore Testimonials
The response to the book has been exceptional and as the author of Samuel T. Moore, I couldn’t be happier. It’s been just two days since the book was released and I am overwhelmed by the excitement, kudos and enthusiasm about it. Click here for the full list of day one and day two Testimonials from app users for Samuel T. Moore of Corte Magore, released on iTunes on 7/1/13. Click here to find on iTunes.
Sincerely,
Tonia Allen Gould
For Immediate Release

FOR IMMEDIATE RELEASE
Contact: Lauren Covello
856-489-8654, ext. 335
lauren.covello@smithpublicity.com
Samuel T. Moore of Corte Magore
By Tonia Allen Gould
CHILDREN’S eBOOK PROMOTES DREAMING & DEDICATION
–Determined Cartoon Crab Sets Out to Build Himself a Home
Samuel T. Moore of Corte Magore (Skies America Publishing, 2013) by children’s author Tonia Allen Gould tells the story of Sam, a small cartoon land and sea fiddler crab (complete with a fiddle and a bow) that finds himself on the sandy shores of an idyllic island named Corte Magore. When he arrives at Corte Magore, Sam decides he wants to make this place his permanent home, but he realizes he will have to build himself a shelter from the rising tides that could take him and his fiddle and bow back out to sea. He must work diligently – and ignore mocking from hermit crabs and seagulls and beat the clock on his arch nemesis, The Great Tidal Wave – if he wants to stay.
Gould’s daughter, now a sophomore in college, was just two years old when she inspired Sam’s story. “We were taking a drive to Santa Barbara and talking about our beach day ahead, when I heard her babbling what sounded like, ‘Corte Magore, Corte Magore, Corte Magore,’ over and over again,” Gould says. “My family knows that publishing this story has been a dream since that day. I want kids to believe, mine especially, that it’s important to dream and that almost anything is possible if you’re willing to do the work.”
As a mother, Gould knew Sam’s story would have to be unique and interactive to capture the attention of today’s children, so she decided to publish the book as an iPad app with original animation, an engaging voiceover, and upbeat Americana music. As a marketing expert, Gould was determined to assemble a powerhouse team to create a book that both children and parents would enjoy. Sam’s story is partially illustrated by “Mr. Lawrence,” an original illustrator of SpongeBob SquarePants; the musical score was written and produced by up-and-coming Nashville musician Robby Armstrong; and the book is narrated by radio personality Steve McCoy, a two-time Marconi Award Nominee.
“I wanted Sam’s story to be an engaging and interactive process,” Gould explains. “Unfortunately, you can’t include animations, voice, and music in a conventional book. But producing the book as an iPad App allowed us to create a whole new world for little ones to enjoy.”
The short, colorful eBook (available through the iTunes store for $4.99) explores several important themes for young readers, including:
- · The concept of “building a home”
- · Hard work and self-reliance
- · Daring to dream of a better life
- · Overcoming adversity
- · Dealing with bullies and naysayers
“I want this story to help parents start a conversation about hard work, dedication, and independence,” Gould adds. “Sam does everything himself in this book, and he doesn’t ask for help. I want children to understand that life isn’t always peaches and cream, but if you’re willing to put your nose to the grindstone and ignore bullies and naysayers, in the end, everything usually works out okay.”
Tonia Allen Gould is a wife, mother, author, marketing expert, and sought after speaker. She is the founder and CEO of Tagsource, formerly Tag! The Creative Source, an award-winning eighteen-year-old consumer promotions and marketing agency, and BRANDHUDDLE, a new marketing startup that caters to clients, suppliers, and distributors of promotional branding products.
In Samuel T. Moore of Corte Magore (Skies America Publishing, July 2013), Gould explores the concepts of perseverance, hard work, bullying, and finding a place to call home for young readers. Samuel T. Moore of Corte Magore is available through the iTunes store for $4.99 and can be purchased here.
For more information, visit:
Website: http://www.toniaallengould.com
Twitter: http://www.twitter.com/toniaallengould
Facebook: http://www.facebook.com/toniaallengould
LinkedIn: http://www.linkedin.com/in/tagsource/
DIGITAL REVIEW COPIES AVAILABLE UPON REQUEST
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Samuel T. Moore of Corte Magore “Just Released” Poster for #iTunes
iheartthisapp.com
I received this great email today about getting the word out about my new app so that parents and teachers can find it easier. Check this out, and please vote for Sam! Also, please feel free to pass along the site information for other authors trying to get found and to be read. Here’s the email!
Hi there!
I am browsing for new apps for kids in the iTunes App Store and I saw Samuel T. Moore of Corte Magore by: Tonia Allen Gould. I think it looks interesting! So I have added it into the iHeartThisApp directory – Samuel T. Moore of Corte Magore by: Tonia Allen Gould!
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Samuel T. Moore of Corte Magore Releases on iTunes for iPad
Samuel T. Moore of Corte Magore just released on iTunes. A formal press announcement will follow. But, for tonight, my dream has finally come true!
–T.A Gould
On the seventh day, the God of Books, Named Amazon, Spoke to the Aspiring Writers and Said…

And, on the first day, the Book World was created. The Great American Writers flocked to the new world and endlessly wrote to express themselves. The Prolific Readers soon came in droves to read and decipher what the Great American Writers had to say, and before long, the Gatekeeper’s Agents arrived too and sold the Great American Writers’ profound works to the Prodigious Publishers, and they in turn, sold the works, en masse, to The Prolific Readers. In due course, everyone in this strange new world flourished.
Then on the second day, the Aspiring Writer honed his craft and sought to be accepted in the new world too, so that his own literary work would be read and treasured by all the Prolific Readers. And so it was written, legions of new Aspiring Writers were turned away and were left standing, rejected, at the walls of the Book World, with their egos wounded, and their written word discarded in a pile of slush, and denounced by the Gatekeeper’s Agents.
By the third day, the Bureau of Labor Statistics reported the median income for The Great American Writer in the Book World was $55,420 per year or $26.64 per hour. When the Aspiring Writer read this report, he fell to his knees and cried, because he had dreamt of fame and fortune, and the hopes of staking a claim in this strange, new world where so many early adopters were striking it rich. But still, the Aspiring Writer continued to write because it had become his life’s aspiration to be accepted into the Book World. For after all, writing was all he ever wanted to do, even if it meant he would be scantily paid once he got beyond the walls and into the glorious realm of the Book World.
By the fourth day, the Aspiring Writers’ rolled up their sleeves and searched high and low for a Gatekeeper’s Agent to represent his work to the Prodigious Publisher Lords that controlled the Book World, and found none. Back at the entrance gate, the Gatekeeper’s Agents who weren’t accepting queries, stopped them from entering again, and the Aspiring Writers’ fell to their knees again and cried in hopelessness and desperation. Everything became meaningless outside of the Book World. The land outside was dark, and bleak, without form and meaning.
On the fifth day, the Aspiring Writers revolted and decided to publish their own books, while the notable Great American Writers with their Gatekeeper Agents and Prodigious Publishers called the Aspriring Writers by a new name: Self-Published.
But, by the sixth day the Prolific Readers began to find what the Aspiring Writers wrote, and the Gatekeeper Agents, together with the Prodigious Publishers, fell to their knees and cried.
And on the seventh day, the God of Books, a great force in all the Earth, called Amazon, spoke to the Aspiring Writers and said, “Take Control with Independent Publishing. With my independent publishing services you can reach millions of readers worldwide and keep control of your own work. It’s fast and easy to publish your print book with CreateSpace, your digital book with Kindle Direct Publishing and create an audiobook with ACX. “
And, with that, the Self Published flourished, and it was a whole new world.
Kids, Please Help Me Color Corte Magore

Finding Corte Magore
Check out this teaser video for Samuel T. Moore of Corte Magore, an animated children’s picture book with narration and an original musical score.
Where on Earth is Corte Magore anyway?

Until now, you wouldn’t have been able to find Corte Magore on any map. Now that Samuel T. Moore has discovered this beautiful place, we had to have a map created just so kids could find it. In the coming months, be on the lookout for more news and information on Corte Magore, and how this fictional place may actually become very real one day…because the author of Samuel T. Moore of Corte Magore, wants to teach children that its okay to dream.
Can your kids find Corte Magore on the map? Look closely and they might actually find Sam’s hut.
An interactive and animated children’s picture book, Samuel T. Moore of Corte Magore (Coming Soon!)
Because Every Fictional Fiddler Crab Needs a Fiddle and a Bow
I had the distinct pleasure of going down to Huntington Beach to catch Robby Armstrong’s act live. You wouldn’t believe the energy Robby exudes when he’s singing and playing on the guitar. Meet Emily Kilimnik, the awesome fiddler behind the music in Robby Armstrong’s original musical score he wrote, produced and directed for Samuel T. Moore of Corte Magore, my children’s picture book slated to release on 7/1/13. Robby Armstrong is one very talented individual and I can’t wait for you to hear the amazing music he created for a crab trying to find a home.
Countdown to Corte Magore
One month to go until Samuel T. Moore is released on iTunes. The book is almost out of production!
Ask Me Anything
My journey to become a children’s picture book author has been an interesting and winding tale, in and of itself. Ask me anything. I’d love to answer your questions.
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